21.08.23 - 27.08.23


Glassblowing | Intermediate to advanced

This class is ideally suited for those already possessing hot glass making skills. With demonstrations daily, this class will teach a combination of American & Venetian glass blowing techniques. The facilities at North Lands Creative create an intimate atmosphere in which to watch and learn from this glass master.


Dante Marioni was born into a family of glassblowers; from an early age Dante spent summers at Pilchuck Glass School. Before studying glassblowing at The Glass Eye, Washington, where he met Benjamin Moor, who confirmed his passion & commitment to pursue glassblowing. Over the years, Dante has taught extensively in many countries with influences from Lino Taglipietra and Richard Marquis.


His execution to combine American and Venetian techniques is world-renowned. ‘I have never really been in love with all the obvious qualities of glass. I am more in love with the process and the traditions, age-old and of the contemporary studio variety. Form is always my primary concern; light manipulation and colour are almost an afterthought.’


Dante Marioni

Dante Marioni burst onto the international glass scene at the age of 19 with a signature style that has been described as the purest of classical forms executed in glass by an American glassblower. His amphoras, vases, and ewers are derived from Greek and Etruscan prototypes, yet they are imaginatively and sometimes whimsically reinterpreted. His impossibly elongated, sinuous shapes are made with bright and saturated contrasting colors.


Marioni’s sophisticated glass objects evoke the rich tradition of classical Mediterranean pottery and bronzes, and of Marioni’s training in centuries-old Venetian glassblowing techniques with some of the greatest masters in contemporary glass.


The son of American studio glass pioneer Paul Marioni, Dante Marioni was raised in a family of artists that includes two well-known uncles, painter Joseph Marioni and conceptual artist Tom Marioni.


Marioni first held a blowpipe at the age of nine. By the time he was 15, he was working after school at one of the first cooperative hotshops and showrooms, The Glass Eye, in Seattle Washington. Although he loved glassblowing, making production studio glass felt limiting.

“The prevailing aesthetic [in American studio glass in the 1970s] was loose and free-form” observed Marioni, “I personally had no interest in that.” Around the same time he met up with Benjamin Moore, another studio glass pioneer, and watched Moore make a perfectly symmetrical, on-center glass form inspired by Venetian glass. It had a dramatic and lasting effect on Marioni, who had not previously seen this type of glassblowing.